Art + Illustration
The work in this section of of the site contains both traditional and digital work, often in combination, and created with a variety of media and tools including;
airbrush, acrylic, brushes, camera, canvas, collage, fabric, Adobe Fresco, gel medium, gesso, gouache, Adobe Illustrator, knives, metallic leaf, oil, Corel Painter, paper, pencil, pen, Adobe Photoshop, Procreate, Escape Motions Rebelle Pro, scanner, sheet metal, spray paint, watercolor, wax, and wood.
Acari: Black Dog Sick and Dying Inside Conspiracy (Illustrated Novella)
Text and art by Matt Frantz. File under: Dark narrative fiction
Description
Writing style and story can be thought of as if Franz Kafka (Metamorphosis, The Judgement) collaborated with Alfred Hitchcock (Psycho) and Lewis Carrol (Alice In Wonderland).
NOT INTENDED FOR SENSITIVE READERS
Shortly after receiving news of his friend’s death, Derek Ericson witnesses his girlfriend being unfaithful. As he is trying to cope with both of these events, he acquires a
neurological disorder. The nature of the disorder prevents him from realizing his perception is distorted. His behavior becomes increasingly bizarre until he is involuntarily committed for psychiatric evaluation. The story concludes with Derek’s evolving awareness of how to close the gap between reality and his desires.
Derek’s hallucinations and paranoia suggest he may be suffering from schizophrenia. This should not be taken as the explanation for increasing inability to recognize shifts from reality. Trauma and stress can trigger hallucinations and people that are labeled as having paranoid delusions can be correct in their assessment. The person that complimented you may have been seeking a favor in return, but you mistook it as genuine flattery. Or perhaps you incorrectly assumed selfish motives from a stranger’s act of kindness. Without omniscience, there is no way to really know what is happening in the skulls of others. The best we can do is use our full range of intellect to estimate probabilities. After years of accumulating experiences, even subtle miscalculations can significantly corrupt anyone’s version of the truth.
Though this is a work of fiction, some events are based on reality. Some characters may or may not represent specific people. To prove that libel has taken place, a person must first prove the damning statement was false.
“Not life, but good life, is to be chiefly valued.”
(Socrates, 360 B.C.)
What does Acari mean?
The Acari are a subclass of arachnids that includes thousands of different species of mites and ticks. Ticks are found found on all continents, with roughly 850 known species. They are distinguished from mites by their larger size and specialized parasitic lifestyle; more closely related to spiders and scorpions than to insects. They transmit potentially fatal infections from animals to humans. Many people assume they would feel the bite, but their saliva contains anesthetic properties that allow them to feed for days, increasing the risk of disease while remaining unnoticed.
Chapter 1: The Notification
I was reluctant to answer the knock at the door. It had been raining and wind blew tree limbs against the house. Even when the knocking became more forceful and steady, I assumed it was visitor for my roommates, who were out for the evening. I didn’t feel like talking to anyone, but I had been at my desk translating text for hours and needed a break, so I stood up and walked towards the door. I saw a police car parked in front of my house.
I opened the door and saw two policemen in uniforms wet from the rain. The one standing closest to me asked, “Are you Derek Ericson?”
After a delay from confusion about the purpose of the question and the fact he knew my name, I asked, “Why? What do you want?”
“Do you share this residence with Charles and Stephanie Rutger?”
“Yes.”
He introduced himself, speaking in a more polite tone, “I’m officer Leonard Culver. This is my partner, Patrick Lee. Can we come in?”
I could feel my stomach muscles tightening and my mouth getting dry. I didn’t like the look on his face and I started to feel very nervous.
Leonard waited until the three of us were seated, and then told me, “Charles and Stephanie were in a car accident. It was a head-on collision.” His partner handed a bag to him and Leonard removed a brown wallet that I immediately recognized as Charlie’s. He set it down on the table in front of me as he softly spoke, “Charles is dead. I’m sorry.”
I always hated that ugly brown wallet. But I never hated it more than at that moment. I braced myself for the answer to my question, “Is his sister okay?”
“She wasn’t conscious, but she did have a pulse. She was taken to the emergency room at Providence hospital. Normally we try to speak to the nearest relative in situations like this, but until Stephanie can tell … ”
The rest of his words blurred together into a long drone. That was the last I remember before I found myself alone again in the house. Everything was the same as a few minutes before, except for wet footprints on the floor, a brown wallet on the table, and a police officer’s business card in my hand. I called the number for the hospital he wrote on the back and a receptionist told me tomorrow would be the earliest Stephanie could have visitors. She had no other information for me.
Following chapters
2. Call Me Back as Soon as You Get This
3. The Long Hallway
4. The Sheets and Towels
5. Caught
6. A Visit to the Past
7. The Day of Change
8. The Dream
9. The Box of Nothing
10. The Transition (Translation)
11. The Confrontation
12. Through the Glass
13. Comfort for the Sick
14. The Anthill Portal
15. The Basement Struggle (Extraction)
16. The Vector of Disease
17. The Cage
18. The Nurse (Exhale)
19. The Orderly (Defined by the Company We Keep)
20. Think Good Thoughts
21. Taking Inventory
22. The Risk
23. Scavenger
24. The Kindness of Strangers
25. The End Justifies the Means
Epilogue: The Brain Scraper
Acari Cover
Acari illustrated novella back cover
The Brown Wallet
Acari: Reaction
Acari: Broken Chair
Acari: Path to Tracks
The Metaphors Must Be Replaced
Acari: Bedroom Window
Acari: Bark or Paws
Acari: Ticks/Run
Confess! Confess!
Acari: Crash Artifact
Acari: Crash Collage
Fading Into Another
Black Dog
Acari: Sinking
Vertigo
Acari: Basement
The Tracks, mixed media on wood panel
Psychological Geology
This series of work was inspired by the study of abnormal psychology and geologic movement. Tension from rage and anxiety as tectonic plates that collide. Drawing of artificial boundaries as separate panels within a frame. Violence and erosion as sanding and scraping of the surface. Mania and storms as drips and splatters. Fracturing of facades as breaking material to reveal what is underneath.
Divergent Plate Boundaries, paint on metal and wood, 36.25×24 inches
Seeping Through, paint on wood panels
Scarred From Conflict, paint on metal and wood panels
Internal/External Division, paint on wood panels
Exploratory Excavation, paint on metal and wood, 24×24 inches
Struggle For Stability, paint on wood and metal
Flooding Emotion, paint on wood panel, 36×24 inches
Trauma Uncovered, paint on metal and wood panel, 24×23 inches
Abstract + Nonrepresentational Painting + Mixed Media
The term “nonrepresentational” can be misleading. The following work doesn’t realistically depict literal people, places, or things, but that doesn’t mean there is no representation of an underlying meaning or intent. In many cases, the arrangement of shapes, colors, and textures is symbolic or relates to a psychological state or concept more than something that can clearly be seen with eyes. These are physical works created with a variety of materials.
Kill Me, acrylic on canvas, 20×36 inches
Untitled (ceramic canvas 1) 14.5x20in
Untitled (ceramic canvas 2) 14.5x20in
Untitled (ceramic canvas 4) 14.5x20in
Untitled (ceramic canvas 3) 14.5x20in
Fragment 23x28in
Clover, encaustic 11x14in
Cyanotype and toner on watercolor paper with pencils
The Hoax (Smeared and Spilled) triptych 34.5×40.5 inches
Order-Disorder encaustic 12x12in
Copper Sun/Wheel/Time
Horizon or cradled wood panel
Triangle Formation 16x16in
Figurative Mixed Media
Rather than thinking of an image collected by the camera as the end of the artistic process, I often think of it as the beginning. During the editing of the photograph, I imagine what I can add to the expressive quality through the use of color or distortion of form. Then the physical nature of the surface is considered when transferring or printing the image for further development. The process ranges from deliberate to experimental, and usually falls somewhere in between, with an original intent that is shaped by my reactions to the experience of interacting with the media. These are physical works created with a variety of materials.
Experiments of the Alchemist 22x33in
Alchemy on copper 14.25×20.25in
In The Darkness Reclining 40x24in
The Pattern and the Black Hand 23×30.5″
Claire
Amanda Pearls On Black Stripe 20x24in
Necklace and Lace 14×19
Victoria on panel 20x33in
Victoria (Desconstructed) on cradled panel
Behind the Door 16x20in
Paint and pencil on wood
Forlorn encaustic diptych 12x24in
Forlorn (on copper) 14×19
Veiled Scream on wood 18x24in
Beautiful Confinement mixed media on cradled wood panel, 16×20 inches
Charlotte (pale vintage) 24×35 inches
Cradled by Earth
Cradled by Earth wood relic 6x9in
Blade In Mouth metal on wood
Mid-Autumn Memory collage, encaustic, graphite 18×23.5 inches
Ariel/Green, paint on panel, 11x14inches
Black Top Hat, print on copper panel and frame, 14.25×20.25 inches
Black Hand White Ground, mixed media on panel, 16×20 inches
Enigma (Standing), mixed media 20x30inches
Cracking, mixed media on metal
Victoria’s Gaze, tea-toned cyanotype with pencil, 16×20 inches
Stress and Despair, photo print collage with pencil and markers, 12×18 inches
Color Stripe Stare, mixed media on copper, 12×15.5 inches
Basin, mixed media on cradled wood, 24×36 inches
Leaving, mixed media, 16×20 inches
Trestle, digital composite metal print with alcohol ink, 11×14.5 inches
Digital Imagery
Work in this category may not be fully digital, as the images could begin with an analog drawing, painting, or photograph. I label it digital if the majority of the creative process or rendering time is software-based.
Triangle portrait by Matt Frantz
Crouched Pose In Water
Grace Street
Emerging Connections digital art by Matt Frantz
Cotton Comes to Harlem with original sketch
Negative emotions editorial magazine illustration
Automata zine issue 5 cover
Untitled, digitally painted portrait
Hands From Above And Below
Explosions In The Sky
Two Ways Of Seeing, tradition/digital hybrid 16×20 inches
Andrea with Branch
Space Between
Drawings: Charcoal, Brushes, Ink, Markers, + Pencil
The works on white panels are with charcoal, blended with turpentine on gessoed panel or paper. The overlapping, abstract, geometrical studies are based upon San Diego interstates and highways. If you’ve been there, you know.
Tripping Giants-Face Within Face
San Diego Interstate 4
San Diego Interstate 3
San Diego Interstate 2
San Diego Interstate 1
Bird Feather Skull 24x24in
Figure Repose
Figure Remnants 24x24in
Brushed ink on 3 wood panels
Figure with Geometric Form, markers and colored pencils, 16×20 inches
Abstract Ink Volume 1
Abstract Ink Eyes Comicon Girl
Abstract Ink Eyes
Abstract Ink Tension
Abstract Ink Amanda
Figure Study Sketches
From observation. Pages of multiple figures are from short poses.
live figure drawing long pose
live figure drawing long pose
live figure drawing short poses
live figure drawing short poses
live figure drawing short poses
live figure drawing short poses
live figure drawing short poses
live figure drawing short poses
live figure drawing short poses
live figure drawing short poses
Content © by M. Frantz. All rights reserved.